No, seriously? The last thing I remember was saying “I Do” in June.
So what has happened since then? Well, I went to Hawaii and lived on the ocean for two weeks. Then I did some consulting work. In October I rocked some Olga Bell Supernovas at Bard College and rekindled a love affair with bowed string instruments. I also started writing my music down for the first time since music college. It’s amazing what it does to your thought process – I immediately started thinking too hard about things, trying to be too “clever” and put in notes that were “cool.” Thankfully a night of listening to Low and Lightning Bolt kept me grounded.
I buttoned up some work on Animas Perdidas, the juggernaut of a documetary that my homegirl Monika Navarro made. It will be coming to an outlet somewhere near you, keep your eyes peeled at animasperdidas.com for up-to-the-minute information.
I’ve landed another sweet gig in film, and will drop more about it when I have more time, suffice to say it is shaping up to be an awesome film. Right now I’m in NYC rehearsing the Ainadamar circus for a performance in Carnegie Hall on Sunday, then it’s back to Boston for a few weeks of editing work, then recording overdubs for the aforementioned film, then editing and dubbing the film, then a few tours, one off concerts and a couple commissions and the next thing you know it’s July 2009.
Plans are in effect to record a bunch of material that is imploding from the SmOlga project for Carnegie Hall. I hope to record these songs in Brooklyn in July with an all star cast of associated players. There are a few of you out there that have been waiting for this shit for years.
So I’ll leave you with the newish track that is posted in the player to the left called “on the cob” … dirty, nasty, slow. Virtually all of this track is Nord Modular. I set out trying to make a track without playing one note on a keyboard. It’s all “virtual analog sequencers” having their controls automated. I can’t remember the last time I did that. Ok, ok, ok – /geekout.